Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is naturally straight-backed, his arms defined beneath a simple tee. On stage, dancers can appear as powerful gods, yet often in person they are small. Not so Ball, whose height is one reason for his popularity for heroic roles and pas de deux work. Possessing fine traits and piercing eyes, there's a hint of Robert Pattinson about him.
A Seamless Rise to the Top
At 31, Ball is enjoying the peak of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated directly into the company and was promoted each year, reaching the top rank of lead dancer in 2018. He has relished taking on substantial dramatic roles, particularly the emotional angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming starring role is as himself, in an "In Conversation" event aiming to offer intimate insights into a dancer's art. He will walk the crowd through a part, showing his cognitive workflow while performance. Yet in more comedic works, the test is profound. "Don Quixote is one of the toughest technically," he notes.
The Psychological Struggle and After the Show Feelings
How does he feel following a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel embarrassed later. Following Mayerling I'm always like: Wow, what must people think?"
In person, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."
Formative Drivers and Artistic Influences
His determination originated in youthful experiences. Not doing well in contests at school made him "vengeful!" This became motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
The next endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, compositions, and art.
Intimate Performance and Personal Dynamic
He additionally favors staging dance in more intimate venues. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t typically paired on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."
Regarding Instagram and Physical Perception
On social media, followers can see clips from his dance films and images that highlight a sculpted form. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be interpreted on multiple levels.
Ball characterizes his younger self as "desperate for success." Has it met his hopes? "I am conscious of how reality is a separate reality to the aspirations you made as a young person," he muses. He probably has about decade of dancing left. "I suppose in the future, I want to be a bit more kind with myself."